By Chris Meigh-Andrews
Tracking the altering sorts of video artwork with regards to the revolution in digital and electronic imaging that has taken position over the past 50 years, A historical past of Video Art orients video artwork within the wider artwork ancient context, with specific connection with the shift from the structuralism of the overdue Nineteen Sixties and early Nineteen Seventies to the post-modernist issues of the Eighties and early Nineteen Nineties. the recent version additionally explores the results of the internationalisation of artists' video within the interval top as much as the recent millennium and its matters and preoccupations together with post-colonialism, the post-medium and the influence and impression of the internet.
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A History of Video Art by Chris Meigh-Andrews